At one point he paused and turned to me, finger extended, eyes alight. He wanted to show me something he’d made out of crumbs and spilled flour: a tiny kingdom, an arrangement that, to him, was as intricate as any fortress. He tapped the kingdom with the tip of his finger. The camera caught the motion in a smooth sequence — sixty frames for each deliberate beat — and I realized I’d been recording more than noise. I’d been collecting the physics of attention: how a child’s touch can animate the ordinary and turn it into ritual.
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